Showing 121–132 of 244 results

  • LA LOIE FULLER BY CHERET for Les Affiches Illustrees 1896

    LA LOIE FULLER BY CHERET for Les Affiches Illustrees 1896

    $ 875

    FOLIES-BERGÈRE – LOÏE FULLER — Jules Chéret

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This reduced-format lithograph reproduces Jules Chéret’s celebrated poster for the Folies-Bergère, featuring the American dancer Loïe Fuller, whose revolutionary “serpentine dance” with colored lights and flowing silk fabric made her an international sensation in the 1890s.

    Loïe Fuller transformed performance art through her innovative use of stage lighting, tinted gels, and swirling movement that turned her dances into living, luminous abstractions. At the Folies-Bergère she became one of the greatest stars of the Belle Époque, embodying both the glamour of Parisian nightlife and the experimental spirit of modern art. Chéret’s poster captures her radiant energy, with the dancer enveloped in cascading waves of fabric, illuminated by light effects that echo her pioneering stagecraft.

    Les Affiches Illustrées (1896–1899) was among the first journals dedicated entirely to poster art, issued in small editions for collectors. Produced at the Chaix atelier under Chéret’s artistic supervision, each plate was a stone-lithograph reduction of a major affiche, printed on fine paper. These works, smaller than the street posters but identical in technique, gave collectors a way to preserve the finest poster art of the era.

    Title: Folies-Bergère – Loïe Fuller
    Artist: Jules Chéret (1836–1932)
    Date: c.1896 (after the original Folies-Bergère poster of the 1890s)
    Printer: Imprimerie Chaix, Paris (Les Affiches Illustrées)
    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
    Print Type: Stone lithograph
    Condition: Excellent “A,” near-mint on fine wove paper
    Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Jules Chéret. Brilliant impression with strong colors. An iconic image of Loïe Fuller, whose luminous dance defined the artistic daring of the Belle Époque stage.

  • Menu programmes by Millet for Les Affiches Illustrees 1896

    Menu programmes by Millet for Les Affiches Illustrees 1896

    $ 350

    Artist: Millet
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8″ / 21.5 x 30 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Menu programmes by Millet for Les Affiches Illustrees 1896

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Grafton gallery by Grasset for Les Affiches Illustrees 1896

    Grafton gallery by Grasset for Les Affiches Illustrees 1896

    $ 350

    Artist: Grasset
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8″ / 21.5 x 30 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Grafton gallery by Grasset for Les Affiches Illustrees 1896

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Les Fetes de Paris Eugene Grasset FOR LES AFFICHES ILLUSTREES 1896 Stone Litho

    Les Fetes de Paris Eugene Grasset FOR LES AFFICHES ILLUSTREES 1896 Stone Litho

    $ 200

    LES FÊTES DE PARIS — Eugène Grasset

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This reduced-format lithograph for Eugène Grasset’s important 1886 poster created for the Grande Représentation de Gala at the Opéra National in Paris, part of the “Fêtes de Paris” series of public spectacles.

    Les Affiches Illustrées (1896–1899) was one of the first dedicated poster journals, issued in limited runs for the growing circle of collectors. Published under the artistic supervision of Jules Chéret at Chaix, each number featured high-quality stone-lithograph reductions of notable affiches by the leading artists of the day. These prints—smaller in format than the street posters but identical in technique—gave subscribers access to what was then a new and rapidly evolving art form.

    Grasset, one of the pioneers of Art Nouveau, was central to this movement. His Fêtes de Paris design reflects his refined linear style and bold color harmonies, blending medieval decorative influences with modern poster design. The result is a work that helped establish poster art as a serious decorative medium in the Belle Époque.

    Title: Les Fêtes de Paris (Grande Représentation de Gala à l’Opéra National)

    Artist: Eugène Grasset (1845–1917)

    Date: c.1896 (after the original 1886 poster)

    Printer: Imprimerie Chaix, Paris (Les Affiches Illustrées)

    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)

    Print Type: Stone lithograph

    Condition: Excellent “A,” near-mint on fine wove paper

    Comments: Authentic original plate from Les Affiches Illustrées, produced at Chaix under Jules Chéret. Crisp impression with rich color. A rare and collectible piece linking Grasset’s early poster work of the 1880s with the poster-collecting craze of the 1890s.

  • Salon des cent by Grasset for Les Affiches Illustrees 1896

    Salon des cent by Grasset for Les Affiches Illustrees 1896

    $ 425

    SALON DE CENT — Eugène Grasset – 1896

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This plate features Eugène Grasset’s poster for his own exhibition at the Salon de Cent, an avant-garde Parisian gallery dedicated to posters and prints. Founded by Léon Deschamps in 1894, the Salon became a key venue for artists such as Grasset, Mucha, Bonnard, and Toulouse-Lautrec, who were at the forefront of the poster movement.

    Grasset’s design reflects his characteristic Art Nouveau style: graceful linearity, harmonious flat color, and decorative detail influenced by medieval and Japanese art. The poster was created to promote a solo exhibition of his works, underscoring his central role in establishing poster art as both a commercial medium and a legitimate form of fine art.

    Les Affiches Illustrées (1896–1899) was one of the earliest journals devoted exclusively to poster art, published under the direction of Jules Chéret at the Chaix atelier. Each plate was a reduced-format stone lithograph printed on fine paper, allowing collectors to own authentic works of the Belle Époque’s leading poster artists.

    Title: Salon de Cent (Eugène Grasset Exhibition)
    Artist: Eugène Grasset (1845–1917)
    Date: c.1896 (after the original 1890s poster)
    Printer: Imprimerie Chaix, Paris (Les Affiches Illustrées)
    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
    Print Type: Stone lithograph
    Condition: Excellent “A,” near-mint on fine wove paper
    Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Jules Chéret. Clean impression with fresh color. A notable design by Grasset created for his own exhibition at the Salon de Cent, reflecting his importance in the Art Nouveau movement.

  • Coulisses de l'opera by Cheret for Les Affiches Illustrees 1896

    Coulisses de l’opera by Cheret for Les Affiches Illustrees 1896

    $ 275

    Coulisses de l’opera by Cheret for Les Affiches Illustrees 1896

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Alcazar d'ete by Cheret for Les Affiches Illustrees 1896

    Alcazar d’ete by Cheret for Les Affiches Illustrees 1896

    $ 225

    Artist: Cheret
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8″ / 21.5 x 30 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Alcazar d’ete by Cheret for Les Affiches Illustrees 1896

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Cirage Jacquot by Lefevre for Les Affiches Illustrees 1896

    Cirage Jacquot by Lefevre for Les Affiches Illustrees 1896

    $ 350

    Artist: Lefevre
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8″ / 21.5 x 30 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Cirage Jacquot by Lefevre for Les Affiches Illustrees 1896

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Folies bergere l'arc en ciel by Cheret for Les Affiches Illustrees 1896

    Folies bergere l’arc en ciel by Cheret for Les Affiches Illustrees 1896

    $ 250

    Folies bergere l’arc en ciel by Cheret for Les Affiches Illustrees 1896

    Artist: Cheret
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8 ” / 21.5 x 30 cm
    On / Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Carnaval 1894 Theatre de l'opera by Cheret for Les Affiches Illustrees

    Carnaval 1894 Theatre de l’opera by Cheret for Les Affiches Illustrees

    $ 385

    Theatre de l’opera Carnaval by Cheret for Les Affiches Illustrees 1894

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This reduced-format lithograph reproduces Jules Chéret’s exuberant poster for the 1892 Paris Carnival at the Théâtre de l’Opéra.

    The annual Opéra masquerade balls were among the most anticipated events of Belle Époque Paris, drawing fashionable crowds for evenings of music, dance, and masked revelry. Chéret’s design captures the carnival’s spirit of joy and festivity: a central female figure in motion, surrounded by swirling ribbons and celebratory text, rendered in his signature palette of vivid reds, yellows, and blues. As with many of his works, Chéret conveys both the elegance and the playful abandon of Parisian nightlife in the 1890s.

    Les Affiches Illustrées (1896–1899) was a pioneering collector’s journal, presenting reduced-format lithographs of important contemporary posters. Produced under Chéret’s supervision at the Chaix atelier, each plate replicated the technique of the original affiche, allowing subscribers to own authentic Belle Époque poster art in a more practical format.

    Title: Carnaval 1894 – Théâtre de l’Opéra
    Artist: Jules Chéret (1836–1932)
    Date: c.1896 (after the original 1894 poster)
    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
    Print Type: Stone lithograph
    Condition: Excellent “A,” near-mint on fine wove paper
    Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Chéret. Crisp impression with strong color. A classic Chéret carnival design, celebrating the pageantry and gaiety of the Opéra’s 1894 masquerade ball.

  • Grande brasserie by Rassenfosse for Les Affiches Etrangeres 1894

    Grande brasserie by Rassenfosse for Les Affiches Etrangeres 1894

    $ 175

    Grande brasserie by Rassenfosse for Les Affiches Etrangeres 1894

    Artist: Cheret
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8 ” / 21.5 x 30 cm
    On / Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Publicity for Musical Score for Les Affiches Etrangeres 1894

    Publicity for Musical Score for Les Affiches Etrangeres 1894

    $ 175

    Keynote SEries American Musical score poster for Les Affiches Etrangeres 1894

    Artist: Anon
    Printer: Chaix Imprimerie, Paris
    Size: 9 x 12.5 ” / 22.8 x 30.5 cm
    On / Off Linen: Unlined
    Year: 1897
    Condition & Comments: Excellent A condition

    Les Affiches etrangere was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

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