Showing 1–12 of 74 results

  • Armour 1894 for Les Affiches Illustrees

    Armour 1894 for Les Affiches Illustrees

    $ 100

    Size: 8.5 x 11.8 ” / 21.5 x 30 cm
    Printer: Chaix Imprimerie, Paris
    On / Off linen: Unlined
    Year: 1896
    Print Technique: Stone lithograph
    Condition & Comments: Excellent A condiiton
    Armour 1894 for Les Affiches Illustrees 1894

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Bal du Moulin rouge by Cheret 1894 for Les Affiches Illustrees

    Bal du Moulin rouge by Cheret 1894 for Les Affiches Illustrees

    $ 375

    Artist: Cheret
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8 in / 21.5 x 30 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Jane Avril by Toulouse Lautrec 1894 for Les Affiches Illustrees

    Jane Avril by Toulouse Lautrec 1894 for Les Affiches Illustrees

    $ 1,650

    JANE AVRIL – JARDIN DE PARIS — Henri de Toulouse-Lautrec

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This reduced-format lithograph reproduces Henri de Toulouse-Lautrec’s famous poster of Jane Avril, one of Montmartre’s most celebrated dancers, created to advertise her performances at the Jardin de Paris.

    Jane Avril (1868–1943), a close friend and muse of Lautrec, became an icon of Parisian nightlife through her eccentric, serpentine style of dance. Lautrec’s posters of her are among his most enduring works, capturing both her elegance and her unconventional energy. In this design, Avril dominates the composition, her figure twisting in rhythm, while the bold curves and flat colors reflect Lautrec’s revolutionary approach to poster art.

    Les Affiches Illustrées (1896–1899) was among the first journals dedicated to poster art, issued in small runs for collectors. Produced at the Chaix atelier, each plate was a stone-lithograph reduction of an important affiche, printed on fine paper for subscribers. These editions gave collectors authentic examples of the finest Belle Époque posters in a smaller, more practical format than the large affiches pasted on Paris walls.

    Title: Jane Avril – Jardin de Paris
    Artist: Henri de Toulouse-Lautrec (1864–1901)
    Date: c.1896 (after the original 1893 poster)
    Printer: Imprimerie Chaix, Paris (Les Affiches Illustrées)
    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
    Print Type: Stone lithograph
    Condition: Excellent “A,” near-mint on fine wove paper
    Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix. Crisp impression with strong colors. One of Lautrec’s most iconic poster designs, immortalizing Jane Avril and the artistic vibrancy of fin-de-siècle Paris.

  • L'amant des danseuses 1894 by Cheret for Les Affiches Illustrees

    L’amant des danseuses 1894 by Cheret for Les Affiches Illustrees

    $ 250

    Artist: Cheret
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8 in / 21.5 x 30 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    L’amant des danseuses by Cheret for Les Affiches Illustrees 1894

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • La Loie Fuller by Jules Cheret Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate

    La Loie Fuller by Jules Cheret Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate

    $ 875

    Folies Bergere by Jules Cheret of Loie Fuller Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate

    Artist: Cheret, Jules
    Printer: Chaix, Paris
    Size: 9 x 12.5 in / 22.8 x 30.5 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Folies Bergere poster for Les Affiches Illustrees were plates printed at the Chaix Imprimerie in 1896 that featured the most famous artist of the day. Cheret was a master printer and artist, but also inventor and created the first lithographs in Stone. This enabled him to make several passes of colors using a stone for each color. This typeof printing method would be too expensive today, but it is the most artistic way of printing. The plate is in excellent condition. Loie Fuller was an American dancer who attained fame in Paris at the turn of the century with her danses which featured special colored lighting to enhance the spectacle.

  • Salon des Cent by Eugene Grasset Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate

    Salon des Cent by Eugene Grasset Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate

    $ 350

    Salon des Cent by Eugene Grasset Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate

    Artist: Grasset, Eugene
    Printer: Chaix, Paris
    Size: 9 x 12.5 in / 22.8 x 30.5 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Salon des Cent poster for Les Affiches Illustrees were plates printed at the Chaix Imprimerie in 1896 that featured the most famous artist of the day. Cheret was a master printer and artist, but also inventor and created the first lithographs in Stone. This enabled him to make several passes of colors using a stone for each color. This typeof printing method would be too expensive today, but it is the most artistic way of printing. The plate is in excellent condition. 

  • Encre L Marquet by Eugene Grasset Les Affiches Illustrees by Chaix Imprimerie 1896

    Encre L Marquet by Eugene Grasset Les Affiches Illustrees by Chaix Imprimerie 1896

    $ 450

    ENCRE MARQUET — Eugène Grasset – 1896

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This plate presents Eugène Grasset’s elegant advertising design for Encre Marquet, a French ink manufacturer. Grasset, one of the pioneers of Art Nouveau, was celebrated for his graceful line work, flattened color harmonies, and stylized decorative compositions that drew on medieval and Japanese sources. His poster for Encre Marquet exemplifies this refined approach, transforming a simple commercial product into a work of artistic sophistication.

    Les Affiches Illustrées (1896–1899) was one of the earliest journals devoted exclusively to poster art, issued in limited numbers for collectors. Published under the artistic direction of Jules Chéret at the Chaix atelier, each issue contained stone-lithograph reductions of major affiches, printed on fine paper using the same techniques as the large-format originals. These plates offered collectors access to authentic poster art by the leading designers of the Belle Époque in a more practical and collectible format.

    Grasset’s Encre Marquet remains an iconic example of French poster design in the 1890s, combining functionality, elegance, and the stylistic innovation that defined Art Nouveau.

    Title: Encre Marquet
    Artist: Eugène Grasset (1845–1917)
    Date: c.1896 (after the original advertising poster)
    Printer: Imprimerie Chaix, Paris (Les Affiches Illustrées)
    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
    Print Type: Stone lithograph
    Condition: Excellent “A,” near-mint on fine wove paper
    Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Jules Chéret. Strong, clean impression with vivid color. A classic Art Nouveau design by Grasset, highlighting his refined decorative style in commercial poster art.

  • Les Arts 4 by Jules Cheret Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate

    Les Arts 4 by Jules Cheret Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate

    $ 295

    Les Arts by Jules Cheret Les Affiches Illustrees by Chaix Imprimerie 1896 original stone lithographic plate

    Printer: Chaix, Paris
    Size: 9 x 12.5 in / 22.8 x 30.5 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Les Arts by Jules Cheret poster for Les Affiches Illustrees were plates printed at the Chaix Imprimerie in 1896 that featured the most famous artist of the day. Cheret was a master printer and artist, but also inventor and created the first lithographs in Stone. This enabled him to make several passes of colors using a stone for each color. This typeof printing method would be too expensive today, but it is the most artistic way of printing. The plate is in excellent condition.

  • Reine de Joie by Henri de Toulouse Lautrec for Les Affiches Illustrees 1896

    Reine de Joie by Henri de Toulouse Lautrec for Les Affiches Illustrees 1896

    $ 1,500

    Artist: Toulouse Lautrec, Henri
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8″ / 21.5 x 30 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Reine de Joie by Henri de Toulouse Lautrec for Les Affiches Illustrees 1896

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • LA LOIE FULLER BY CHERET for Les Affiches Illustrees 1896

    LA LOIE FULLER BY CHERET for Les Affiches Illustrees 1896

    $ 875

    FOLIES-BERGÈRE – LOÏE FULLER — Jules Chéret

    Original stone-lithograph plate printed circa 1896 at Imprimerie Chaix (Paris) for Les Affiches Illustrées. This reduced-format lithograph reproduces Jules Chéret’s celebrated poster for the Folies-Bergère, featuring the American dancer Loïe Fuller, whose revolutionary “serpentine dance” with colored lights and flowing silk fabric made her an international sensation in the 1890s.

    Loïe Fuller transformed performance art through her innovative use of stage lighting, tinted gels, and swirling movement that turned her dances into living, luminous abstractions. At the Folies-Bergère she became one of the greatest stars of the Belle Époque, embodying both the glamour of Parisian nightlife and the experimental spirit of modern art. Chéret’s poster captures her radiant energy, with the dancer enveloped in cascading waves of fabric, illuminated by light effects that echo her pioneering stagecraft.

    Les Affiches Illustrées (1896–1899) was among the first journals dedicated entirely to poster art, issued in small editions for collectors. Produced at the Chaix atelier under Chéret’s artistic supervision, each plate was a stone-lithograph reduction of a major affiche, printed on fine paper. These works, smaller than the street posters but identical in technique, gave collectors a way to preserve the finest poster art of the era.

    Title: Folies-Bergère – Loïe Fuller
    Artist: Jules Chéret (1836–1932)
    Date: c.1896 (after the original Folies-Bergère poster of the 1890s)
    Printer: Imprimerie Chaix, Paris (Les Affiches Illustrées)
    Size: 21.5 × 30 cm (approx. 8.5 × 11.8 in)
    Print Type: Stone lithograph
    Condition: Excellent “A,” near-mint on fine wove paper
    Comments: Authentic plate from Les Affiches Illustrées, produced at Chaix under Jules Chéret. Brilliant impression with strong colors. An iconic image of Loïe Fuller, whose luminous dance defined the artistic daring of the Belle Époque stage.

  • Menu programmes by Millet for Les Affiches Illustrees 1896

    Menu programmes by Millet for Les Affiches Illustrees 1896

    $ 350

    Artist: Millet
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8″ / 21.5 x 30 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Menu programmes by Millet for Les Affiches Illustrees 1896

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

  • Grafton gallery by Grasset for Les Affiches Illustrees 1896

    Grafton gallery by Grasset for Les Affiches Illustrees 1896

    $ 350

    Artist: Grasset
    Printer: Chaix Imprimerie, Paris
    Size: 8.5 x 11.8″ / 21.5 x 30 cm
    On/Off Linen: Unlined
    Year: 1896
    Condition & Comments: Excellent A condition

    Grafton gallery by Grasset for Les Affiches Illustrees 1896

    Les Affiches Illustrees was created by Jules Cheret at the Chaix imprimerie to celebrate the famous poster artists and their works of the time. Poster collecting was the rage between 1895 and 1900 and Cheret made sure to supply the public with all the images of a selection of the best posters of the time. The printing was by way of Stone lithgoraphy and great attention was paid to quality. In Excellent condition

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