Showing 1–12 of 20 results

  • "COMMUNICATIONS" (MERRILL LYNCH) — PETER GEE — 1969 - Hand Signed Original- Rare Pop Art

    “COMMUNICATIONS” (MERRILL LYNCH) — PETER GEE — 1969 – Hand Signed Original- Rare Pop Art

    $ 1,800

    COMMUNICATIONS (MERRILL LYNCH) — PETER GEE — 1969

    Original color silkscreen print created by Peter Gee in 1969 as part of a Merrill Lynch advertising campaign. The design reflects the visual language of financial information and communications. The image appears to depict an electronic stock market news or quotation board rendered as a photomontage and transformed through Gee’s vivid Pop art color palette. The result is a striking composition suggesting the rapid flow of financial information and activity associated with the trading floor.

    Peter Gee (1932–2005) was a British-born artist and graphic designer associated with the Pop art movement in New York. After serving as a graphic designer in the British Army and exhibiting in London and Paris, he moved to New York in 1962 where his distinctive graphic style gained recognition. Gee participated in the Word and Image exhibition at the Museum of Modern Art in 1968 alongside artists such as Andy Warhol and Robert Indiana. His silkscreen prints are known for their strong graphic structure, vivid color combinations, and influences drawn from Bauhaus design principles and modernist abstraction.

    Gee also taught color theory and design at the School of Visual Arts in New York, the Rhode Island School of Design, and Harvard University. His work is held in the permanent collections of the Museum of Modern Art in New York, the Victoria and Albert Museum in London, the Smithsonian Institution, and the Museum of Modern Art in Kyoto.

    Artist: Gee, Peter
    Title: Communications (Merrill Lynch)
    Size: 30 5/8 x 20 5/8 inches / 78 x 52 cm (sight)
    On / Off Linen: Unlined
    Print Technique: Screenprint in colors
    Year: 1969
    Signature: Hand signed by the artist
    Condition & Comments: Perfect condition.

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  • Ferdinand Luigini – La Servante, 1897 | Original Lithograph – L’Estampe Moderne

    Ferdinand Luigini – La Servante, 1897 | Original Lithograph – L’Estampe Moderne

    $ 235
    Ferdinand Luigini – La Servante (1897)

    Original 1897 lithograph La Servante by Ferdinand Luigini, published in L’Estampe Moderne and printed by L’Imprimerie Champenois, Paris. Luigini was known for his refined landscape and genre scenes, often depicting rural life in France with a quiet, painterly sensibility. In La Servante, he captures a moment of simple domestic grace, rendered with soft tonal harmony and delicate line — characteristic of the lyrical realism that runs through much of his work.

    Details
    Artist: Ferdinand Luigini
    Printer: L’Imprimerie Champenois, Paris
    Year: 1897
    Size: 12 x 16 in / 30.5 x 40.6 cm
    Print Type: Original Lithograph
    On/Off Linen: Unlined
    Condition: Excellent A condition
    Comments: Issued as part of L’Estampe Moderne, the monthly Parisian series published from 1897 to 1899, featuring original lithographs by leading artists of the Art Nouveau era. La Servante is a serene example of Luigini’s delicate composition and the exceptional printing quality of Champenois.

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  • L'ILLUSION BY DESFONTAINES VINTAGE FRENCH POSTER ESTAMPE MODERNE 1897

    L’ILLUSION BY DESFONTAINES VINTAGE FRENCH POSTER ESTAMPE MODERNE 1897

    $ 250
    L’Illusion – H. Bellery-Desfontaines, 1898

    Henri Bellery-Desfontaines (1867–1909)
    L’Illusion, 1898

    An original lithograph by the French Art Nouveau artist Henri Bellery-Desfontaines, published in L’Estampe Moderne in 1898. Known for his richly ornamental and symbolist compositions, Bellery-Desfontaines was a key figure in the movement’s decorative revival, combining allegory and fantasy with precise draughtsmanship. L’Illusion exemplifies his mastery of flowing line and atmospheric color, typical of the Parisian fin-de-siècle aesthetic.

    Details
    Lithograph on wove paper
    Signed on the plate lower left
    Blind stamp of L’Estampe Moderne (bottom right)
    Printed in Paris, 1898
    Sheet size: approximately 40.5 × 30.5 cm / 15.9 × 12 in.
    Condition: Excellent; on its full sheet

    Comments
    One of the most sought-after designs from L’Estampe Moderne for its striking allegorical imagery and refined execution. A beautiful example of Bellery-Desfontaines’ decorative symbolism and mastery of lithographic color.

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  • batman warhol

    ANDY WARHOL Batman 1997 ORIGINAL VINTAGE POP ART POSTER ON LINEN

    $ 250

    Lo Title: Batman – Turin Museum Retrospective

    Original exhibition poster for Batman – Turin Museum Retrospective, held at the Museo dell’Automobile in Turin, Italy, from November 30, 1996, to March 9, 1997. The poster features artwork by Andy Warhol, linking the Pop Art master with one of the most recognizable figures of popular culture, Batman.

    Printed by Mastergraph in Milan, this offset lithograph was produced for the official show and has since become collectible both as part of Warhol’s extended graphic legacy and as a unique example of the intersection between fine art and comic book iconography. The poster measures 67.5 x 94.5 cm 26 x38 inches and has been professionally mounted on linen for preservation.

    This poster brings together two 20th-century icons: Warhol, whose bold style defined the Pop Art movement, and Batman, a character whose presence in art, film, and culture remains enduring. In excellent condition, this original 1996–1997 exhibition issue offers a rare opportunity to acquire a well-preserved piece connected to both modern art and popular culture.

    Title: Batman – Turin Museum Retrospective
    Artist: Andy Warhol
    Date: November 30, 1996 – March 9, 1997
    Printer: Mastergraph, Milan
    Size: 67.5 x 94.5 cm 26 x 38 inches
    Print Type: Offset Lithograph
    Condition: Excellent, on linen

    Poster made for the exposition of a retrospective of Any Warhol in a Museum in Torino in 1997. The poster is on heavy paper and mounted on linen in excellent condition

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  • ANDY WARHOL Absolut Vodka ORIGINAL VINTAGE POP ART POSTER ON LINEN

    ANDY WARHOL Absolut Vodka ORIGINAL VINTAGE POP ART POSTER ON LINEN

    $ 1,550

    Absolut Vodka – Andy Warhol (c. 2010)

    Artist: Andy Warhol
    Title: Absolut Vodka
    Year: c. 2010
    Size: 45 x 67 inches (114 x 170 cm)
    Condition: excellent
    Linen Backing: 2 week delay to linen back (included in price)

    Poster featuring the Absolut Vodka image originally created by Andy Warhol. This example was produced circa 2010 under license from the Warhol Estate and was used primarily in Europe for outdoor advertising.

    The Absolut advertising campaign began in 1981 and became one of the longest-running advertising campaigns in history. In 1992, the campaign was inducted into the American Marketing Association’s Marketing Hall of Fame. Over the years, Absolut collaborated with numerous artists and designers, including Andy Warhol, Keith Haring, and Helmut Lang.

    This poster reproduces Warhol’s well-known Absolut bottle image, characterized by bold color treatment and simplified graphic form.

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  • Menard – Automne – L Estampe Moderne (1897) Original Lithograph

    Menard – Automne – L Estampe Moderne (1897) Original Lithograph

    $ 395
    Automne  Marie-Émile-René Ménard (1862–1930)  1897

    Original color lithograph by Marie-Émile-René Ménard, published in L’Estampe Moderne around 1897. The composition shows an allegorical female figure symbolizing Autumn, standing in a landscape with trees and falling leaves. The treatment is typical of Ménard’s classical and idealized style, with soft tonal transitions and balanced color. Printed by Champenois in Paris and distributed by Masson & Piazza as part of the monthly portfolio L’Estampe Moderne (1897–99). The sheet bears the embossed blindstamp “L’Estampe Moderne / E.M.” in the lower right margin and the artist’s printed signature within the image. Excellent impression from the original edition with full margins and fresh color.

    ⸻

    Printer: Imprimerie Champenois, Paris
    Publisher: Masson & Piazza, Paris (L’Estampe Moderne, c. 1897)
    Size: Approx. 40 × 30 cm (15 ¾ × 11 ¾ in)
    Print Type: Original stone lithograph on wove paper
    Condition: Excellent A condition – clean sheet, strong color, wide margins, embossed blindstamp lower right
    Comments: An allegorical subject representing Autumn from L’Estampe Moderne, characteristic of Ménard’s harmonious compositions and classical figure work.

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  • Albert Donnay – Artemis, 1897 | Original Lithograph – L’Estampe Moderne

    Albert Donnay – Artemis, 1897 | Original Lithograph – L’Estampe Moderne

    $ 575
    Albert Donnay – Artemis (1897)

    Original 1897 lithograph Artemis by Albert Donnay, published in L’Estampe Moderne and printed by L’Imprimerie Champenois, Paris. This composition presents the goddess Artemis in an Art Nouveau interpretation — graceful and stylized, surrounded by decorative foliage and moonlit symbolism. Donnay’s work captures the refined aesthetic of the late 19th century, blending mythological subject matter with the fluid design language of the period.

    Details
    Artist: Albert Donnay
    Printer: L’Imprimerie Champenois, Paris
    Year: 1897
    Size: 12 x 16 in / 30.5 x 40.6 cm
    Print Type: Original Lithograph
    On/Off Linen: Unlined
    Condition: Excellent A condition
    Comments: Published as part of L’Estampe Moderne, the celebrated Parisian monthly portfolio issued from 1897 to 1899. Each issue contained four original lithographs by leading artists. Artemis exemplifies the poetic and decorative qualities that defined this influential series.

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  • Le jugement a Paris by Jouve for L'Estampe Moderne 1897 original plate

    Le jugement a Paris by Jouve for L’Estampe Moderne 1897 original plate

    $ 225
    Paul Jouve – Le Jugement de Paris (1897)

    Original 1897 lithograph Le Jugement de Paris by Paul Jouve, published in L’Estampe Moderne and printed by L’Imprimerie Champenois, Paris. This early work by Jouve, who would later become one of France’s foremost animal painters and sculptors, illustrates the classical myth of Paris choosing between Hera, Athena, and Aphrodite. The composition already shows Jouve’s developing mastery of form and his refined sense of line and balance.

    Details
    Artist: Paul Jouve
    Printer: L’Imprimerie Champenois, Paris
    Year: 1897
    Size: 12 x 16 in / 30.5 x 40.6 cm
    Print Type: Original Lithograph
    On/Off Linen: Unlined
    Condition: Excellent A condition
    Comments: Issued as part of L’Estampe Moderne, the celebrated monthly Parisian portfolio published between 1897 and 1899. Each issue contained four original lithographs by prominent artists of the Art Nouveau period. Le Jugement de Paris is an important early example of Jouve’s work, revealing his emerging style and the precision that later defined his career.

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  • A. Yank – La Femme au Perroquet (L’Estampe Moderne, 1897–1899) Original Lithograph – Champenois Dry Stamp

    A. Yank – La Femme au Perroquet (L’Estampe Moderne, 1897–1899) Original Lithograph – Champenois Dry Stamp

    $ 275

    La Femme au Perroquet – L’Estampe Moderne

    La Femme au Perroquet by A. Yank, published in Paris as part of the celebrated series L’Estampe Moderne (1897–1899). This series presented original color lithographs by leading artists of the time, issued monthly in portfolios of four plates. Each print bore the blind stamp (dry stamp) of the publisher, Imprimerie Champenois, ensuring authenticity.

    L’Estampe Moderne was directed by Charles Masson and Henri Piazza and printed by Champenois, the Paris workshop also known for producing posters by Alphonse Mucha and other masters of Art Nouveau. Collectors subscribed to receive a total of 100 plates across the series, each showcasing contemporary developments in fine art lithography.

    The present plate, La Femme au Perroquet, is a richly detailed Art Nouveau composition that reflects the elegance and decorative refinement of the era. It carries the distinctive blind stamp of the publisher at the lower corner.

    The print measures approximately 12 × 16 in. (30 × 40 cm) and is preserved in excellent condition.

    ⸻

    Artist: A. Yank
    Title: La Femme au Perroquet
    Series: L’Estampe Moderne
    Date: 1897–1899
    Printer: Imprimerie Champenois, Paris
    Size: 12 × 16 in. (30 × 40 cm) approx.
    Print Type: Color Lithograph
    Stamp: Dry stamp of Imprimerie Champenois
    Condition: Excellent “A”

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  • Desvallieres Porteur Amphore

    Desvallieres Porteur Amphore

    $ 250
    Porteur d’Amphore, Maurice Desvallières (1862–1913)  1898

    Original color lithograph by Maurice Desvallières, published in L’Estampe Moderne in 1898. The composition shows a young, muscular man in classical Roman or Greek dress carrying a large amphora through a richly detailed architectural interior filled with statues, columns, and patterned tile flooring — a vivid evocation of the grandeur of antiquity. Desvallières combines idealized strength and realism, capturing both the physical tension of the figure and the luminous setting surrounding him. Issued as part of the celebrated monthly portfolio L’Estampe Moderne (1897–99), printed by Champenois in Paris and distributed by Masson & Piazza. The sheet bears the embossed blindstamp “L’Estampe Moderne / E.M.” in the lower right margin and the artist’s printed signature within the image. Excellent example from the original issue with strong color and wide margins.

    ⸻

    Printer: Imprimerie Champenois, Paris
    Publisher: Masson & Piazza, Paris (L’Estampe Moderne)
    Size: Approx. 40 × 30 cm (15 ¾ × 11 ¾ in)
    Print Type: Original stone lithograph on wove paper
    Condition: Excellent A condition – fresh color, clean sheet, wide margins, embossed blindstamp lower right
    Comments: A powerful and classically inspired plate from L’Estampe Moderne, showcasing Desvallières’ mastery of the human form and his richly detailed architectural settings.

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  • ORIGINAL VINTAGE FRENCH POSTER SIRENE BY GUERIN ESTAMPE MODERNE 1897

    ORIGINAL VINTAGE FRENCH POSTER SIRENE BY GUERIN ESTAMPE MODERNE 1897

    $ 245
    Sirene – Charles Guerin, 1898

    Charles Guérin (1873–1907)
    Sirène, 1898

    A sensuous and finely balanced lithograph by French artist Charles Guérin, published in L’Estampe Moderne in 1898. The composition shows Guérin’s refined handling of color and line, merging Symbolist atmosphere with the decorative elegance characteristic of the fin-de-siècle. The work reflects the influence of both Gauguin and Odilon Redon, revealing Guérin’s lyrical approach to the female form and mythological subjects.

    Details
    Lithograph on wove paper
    Signed on the plate lower left margin
    Blind stamp of L’Estampe Moderne (bottom right)
    Printed in Paris, 1898
    Sheet size: 40.5 × 30.5 cm / 15.9 × 12 in.
    Condition: Excellent; on its full sheet

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  • Bouisset – Bouquetiere – L’Estampe Moderne (1899) Original Lithograph

    Bouisset – Bouquetiere – L’Estampe Moderne (1899) Original Lithograph

    $ 350
    Bouquetiere, Firmin Bouisset (1859 – 1925)  1899

    Charming original color lithograph by Firmin Bouisset, published in L’Estampe Moderne in 1899. It depicts a young flower seller holding a bouquet, rendered in Bouisset’s soft, naturalistic Art Nouveau style. Issued as plate no. 20 of the celebrated monthly portfolio L’Estampe Moderne (1897 – 99), printed by Champenois in Paris and distributed by Masson & Piazza. The sheet bears the embossed blindstamp “L’Estampe Moderne / E.M.” in the lower right margin and Bouisset’s printed signature within the image. This is an excellent example from the original issue — clean, fresh color and wide margins, ideal for framing.

    ⸻

    Printer: Imprimerie Champenois, Paris
    Publisher: Masson & Piazza, Paris (L’Estampe Moderne, No. 20)
    Size: Approx. 40 × 30 cm (15 ¾ × 11 ¾ in)
    Print Type: Original stone lithograph on wove paper
    Condition: Excellent A condition – fresh color, clean sheet, wide margins, embossed blindstamp lower right
    Comments: A fine example from the distinguished L’Estampe Moderne series, representing Bouisset’s lyrical side beyond his well-known advertising work.

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